Sample paper for class 12 Music

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Music Sample papers

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Sample Paper for class 12 Music
Session 2017-2018

HINDUSTANI MUSIC
Percussion Instruments (Code No.036) Class – XII

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निर्देश:

• सभी प्रश्न अनिवार्य हैं।
• सभी प्रश्नों के अंक समान हैं।

General Instructions:

• Attempt any five questions.
• All questions carry equal marks.

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1. पं. किशन महाराज या पं. पागल दस के संगीतिक योगदान के विषय में लिखिये।

Write the musical contribution of Pt. Kishan Maharaj or Pt. Pagal Das.

2. तीन ताल में एक उठान को ताललिपिबद्ध कीजिए।

Write one Uthan in Teentala with Tala Notation system.

3. निम्नलिखित किन्हीं तीन को परिभाषित कीजिए।
बांट, चक्रदार, पेशकर, फर्द, उठान

Define any three of the following:
Bant, Chakradar, Peshkar, Fard, Uthan.

4. तीनताल में एक रेला तीन पलटे एवं तिहाई के साथ ताललिपिबद्ध कीजिए।

Write One Rela in Teentala with three Paltas and Tihai with Tala Notation system.

5. झपताल या धमार के ठेका को ठाह, दुगुन एवं चौगुन की लय में ताललिपिबद्ध कीजिए।

Write the Theka of Jhaptala or Dhamar in Thah, Dugun and Chaugunlaya with Tala Notation system.

6. मध्यकालीन समय के अवनद्ध वाद्य का विवरण दीजिए।

Give the description of Percussion Instruments in medieval period.

7. तबला या पखावज के घरानों को संक्षिप्त में लिखिए।

Write the brief description of Gharanas of Tabla or Pakhawaj.

8. तबला या पखावज के इतिहास को संक्षिप्त में लिखिए।
अथवा
जाति या लयकारी के विषय में लिखिए।

Write in brief about the history of Tabla or Pakhawaj.
OR
Write about Jatti or Laykari.

HINDUSTANI MUSIC
Vocal Class – XII
Sample Question Paper (2017-18)

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निर्देश:

• सभी प्रश्न अनिवार्य हैं।
• सभी प्रश्नों के अंक समान हैं।

Instructions:

• Attempt any five questions.
• All questions carry equal marks.

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1. निम्नलिखित में से किन्हीं तीन की परिभाषाएँ लिखिए-
अलंकार, मींड, गमक, ग्राम, मुर्च्छाना, आलाप, तान

Write the definitions of any three of the following:
Alankar, Meend, Gamak, Gram, Murchhana, Aalap, Tana.

2. आधुनिक काल के संदर्भ में ‘रागों के समय सिद्धांत’ का वर्णन कीजिए।
अथवा
प्राचीन एवं आधुनिक काल के संदर्भ में हिन्दुस्तानी संगीत के ‘राग वर्गीकरण’ का विस्तृत वर्णन कीजिये।

Describe the ‘Time Theory of Ragas’ with special reference to modern period.

OR

Write in detail the theory of ‘Classification of Ragas’ in Hindustani Music with special reference to Ancient and Modern period.

3. ‘संगीत पारिजात’ का विस्तापूर्वक वर्णन कीजिए।

Give a detailed account of ‘Sangeet Parijat’.

4. निम्नलिखित रागों में से किन्हीं दो का विस्तृत वर्णन कीजिये-
i. भैरव
ii. मालकौंस
iii. बागेश्री

Describe in detail any two of the following Ragas:
i. Bhairav
ii. Malkauns
iii. Bageshri

5. नीचे लिखे स्वरों में रागों की पहचान कीजिए तथा प्रत्येक राग का 30 स्वर तक विस्तार कीजिए।

i.	ग	म	प,	ग	म	ग	रे	सा
ii.	म	प	ध	ग,	म	ग	रे	सा

Identify the Ragas from the given passages of swaras and elaborate each Raga upto 30 swaras:

6. पाठ्यक्रम में दिए गए रागों में से किसी एक में तराना की स्वरलिपि लिखिए।

i.	Ga	Ma	Pa,	Ga	Ma	Ga	Re	Sa
ii.	Ma	Pa	Dha	Ga,	Ma	Ga	Re	Sa

अथवा
पाठ्यक्रम के किसी रात्रि गेय राग में एक ‘द्रुत ख्याल’ की स्वरलिपि लिखिए।

Write the notation of a Tarana in any one of the prescribed Ragas.

OR

Write the notation of a Drut Khayal in any Night Raga of prescribed syllabus.

7. निम्नलिखित में से किन्हीं दो तालों का ठाह एवं दुगुन सहित वर्णन कीजिए-
i. तिलवाड़ा
ii. धमार
iii. झपताल

Describe any two of the following Talas with Thah and Dugun:
i. Tilwada
ii. Dhamar
iii. Jhaptala

8. निम्नलिखित में से किसी एक का जीवन परिचय तथा संगीत में योगदान का वर्णन कीजिये-
i. उस्ताद फ़ैयाज़ खां
ii. उस्ताद बड़े गुलाम अली खां
iii. पं. कृष्ण राव शंकर पंडित

Give the life sketch and contribution to music of any one of the following:
i. Ustad Faiyaz Khan
ii. Ustad Bade Ghulam Ali Khan
iii. Pt. Krishna Rao Shankar Pandit

 

Carnatic Music
(Melodic Instrumental)

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General Instructions:

• Answer any five of the following questions.
• Question nos. 1 & 2 are compulsory.
• All questions carry equal marks.

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1. Write in notation the pallavi ad anupallavi of a kriti set in suddha madhyama Janya Raga.

2. Describe the lakshanas of any two of the following Ragas:
(a) Nata
(b) Surati
(c) Sri

3. Compare and contrast the musical form Padam and Javali.

4. Briefly explain the construction and playing techniques of instruments used in Vocal concerts.

5. Evaluate the value of Lakshana Grantha.

6. Estimate the contribution of Dwaram Venkataswamy Naidu or Mysore Doraiswamy Jyengar to Carnatic Instrumental Music.

7. Write short notes on any three of the following:
(a) Bhashanga Ragas
(b) Tanam
(c) Eduppu
(d) Javali

Carnatic Music
(Percussion Instrumental)

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General Instructions:

• Answer any five of the following questions.
• Question nos. 1 & 2 are compulsory.
• All questions carry equal marks.

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1. Notate a short Mohra and Korvai for a Misrachapu or Khanda chapu tala.

2. Evaluate he contribution of chaturdandi Prakasika with special reference to tala.

3. Explain the life sketch and contribution of Palani Subramanya Pillai to the art of Mridangam.

4. Describe the following:
(a) Shadangas
(b) Trikalam
(c) Tiruppugazh Talas
(d) Teka

5. Classify percussion instruments and describe any two upapauua vadhya’s construction and techniques.

6. Explain the role of Tani avartanam in a Carnatic Music concert.

7. Write short notes on any three of the following:
(a) Kaalapramaanam
(b) Ghumki
(c) Choru-Vaaru
(d) Gettu Vadhyam2 | P a g e

Carnatic Music
(Vocal)

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General Instructions:

• Answer any five of the following questions.
• Question no. 1 & 2 are compulsory.
• All questions carry equal marks.

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1. Give in notation the pallavi and anupallavi with minimum four sangatis of a Kriti set in Purvikalyani or Ritigaula Raga.

2. Describe the lakshanas with suitable sancharas in any two upanga Janya ragas from the syllabus.

3. Evaluate the contribution to Carnatic Music in any one of the following grantha.

4. Explain any three musical forms figuring in dance and music concerts.

5. What is a Janya Raga. Illustrate your answer in detail with examples.

6. Mysore Vasudevachav’s contribution to Carnatic Music is unique. Substantiate your views.

7. Write short notes on any three of the following:
(a) Vakra Ragas
(b) Dasa Vidha Gamakas
(c) Jaati
(d) Veena

This is only initial part of the whole sample paper. Download Complete set of sample paper for class 12 Music

Sample Paper for class 12

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• CBSE Sample Papers for Class 12 Computer Science
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• BSE Sample Papers for Class 12 Hindi Core
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These are also Sample Paper for class 12 Music available for download through myCBSEguide app. These are the latest Sample Paper for class 12 Music as per the new board exam pattern. Download the app today to get the latest and up-to-date study material.

Marking Scheme for Class 12 Board exam

Subject	Board Marks	Practical or internal Marks
English	100 Marks	ZERO Marks
Hindi	100 Marks	ZERO Marks
Mathematics	100 Marks	ZERO Marks
Chemistry	70 Marks	30 Marks
Physics	70 Marks	30 Marks
Biology	70 Marks	30 Marks
Computer Science	70 Marks	30 Marks
Informatics Practices	70 Marks	30 Marks
Accountancy	80 Marks	20 Marks
Business Studies	80 Marks	30 Marks
Economics	80 Marks	20 Marks
History	80 Marks	20 Marks
Political Science	100 Marks	ZERO Marks
Geography	70 Marks	30 Marks
Sociology	80 Marks	20 Marks
Physical Education	70 Marks	30 Marks
Home Science	70 Marks	30 Marks

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