Part _2 The shehnai of bismillah …

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Gaurav Seth 4 years, 11 months ago
This chapter throws light on the origin of Shehnai and the life of all-time great Shehnai Vadak —Bismillah Than. The winner of Bharat Ratna, the highest civilian award of India, his dedication to music and his love for India.
"Pungi” a musical instrument, was banned by Emperor Aurangzeb, because of its shrill and unpleasant sound. In fact, it was regarded more as a noise maker rather than a musical instrument. It was modified and perfected by a barber who belonged to a family of professional musicians. He played it in the chamber of the king. Its sound was so appreciated by the emperor that it was made a part of Naubat. Since it was played for the first time in Shah's chamber by a Nai, it came to be known as Shehnai.
Traditionally, it was played in the temples and on every auspicious domestic occasions also. Its sound was regarded as auspicious. But it was treated as an incomplete musical instrument, not capable of creating independent pages. But Bismillah broke this myth.
Bismillah belongs to the Benares Gharana. He was born in 1916 at Dumraon, in Bihar. As a 5 year old, he used to visit the Bihariji Temple and sing Bhojpuri "Chaitya" there. For his melodious singing he used to earn a big Laddu from the local Bhojpuri King. At the age of 6, he moved to Benares. There under the guidance and training of his maternal uncle, Ali Bux, he started picking up the finer nuances of shehnai. He used to spend most of his time practicing on the banks of the River Ganges. The themes of his music were deeply affected by the sounds of flowing water of the Ganga.
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