Music

Music syllabus, question papers, online tests and important questions as per CBSE syllabus. Notes, test papers and school exam question papers with solutions. Main topics are Sangeet Dhwani, Nada, Shruti, Swara, Saptak, Thaat, Raga, Aaroha, Avaroha,Laya, Notation System of Pt. V.D. Pulaskar OR Pt. V.N. Bhatkhande, notation of Compositions in Prescribed Ragas, Raga Alhaiya Bilawal, Raga Kafi, Tala-Notation of the following Tala: Keharwa, Teentala, Dadra.

SYLLABUS FOR SUMMATIVE ASSESSMENT
FIRST TERM (APRIL 2016 - SEPTEMBER 2016)
HINDUSTANI MUSIC VOCAL(CODE 034)

Theory (15 Marks)
1. Describe the following: Sangeet Dhwani, Nada, Shruti, Swara, Saptak, Thaat, Raga, Aaroha, Avaroha,Laya
2. Notation System of Pt. V.D. Pulaskar OR Pt. V.N. Bhatkhande.
3. Ability to do notation of Compositions in Prescribed Ragas.
4. Description of the following Ragas: Raga Alhaiya Bilawal, Raga Kafi
5. Description and ability to do Tala-Notation of the following Tala: Keharwa, Teentala, Dadra.

Practical (35 marks)
1. Six alankaras set to all prescribed Talas.
2. Aaroha, Avaroha, Pakad, Swarmalika, Lakshan geet and drut Khayal with few alaps and tanas in RagaAlhaiya Bilawal and Raga Kafi.
3.(i) National Anthem
(ii) One Folk or Tribal Song
(iii) One Patriotic song
(iv) One devotional song
(v) One community song
4. Recitation of the thekas of Keharwa, Dadra, Teentala, with dugun, keeping Tala with hand beats.

SYLLABUS FOR SUMMATIVE ASSESSMENT:
SECOND TERM (OCTOBER 2016 - MARCH 2016)
HINDUSTANI MUSIC VOCAL (CODE 034)

Theory (15 Marks)
1. Definition of the following: Vadi, Samvadi, Anuvadi, Vivadi, Bandish, Sthai, Antara, Khayal, Tala, Matra,Vibhag, Sam ,Tali, Khali, Avartan.
2. An outline history of Hindustani Music of modern period with special reference to the works of Pt.Vishnu Narayan Bhatkhande and Pt. Vishnu Digambar Paluskar.
3. Description of the following Ragas: Yaman, Bhairav
4. Description and ability to do Tala-notation of the following Talas: Jhaptala, Ektala

Practical (35 Marks)
1. Aaroha, Avroha,Pakad, Swarmalika, Lakshan Geet and Drut Khayal with few Alaps and Tanas inRagaYaman.
2. Identification of prescribed Ragas from the passages of swaras rendered by the examiner.
3. (a) National Song - Vande Matram
(b) One folk or tribal song
(c) One devotional song
(d) One patriotic song
(e) One community song
4. Recitation of Thekas of Jhaptala and ektala with dugun keeping tala with hand beats.
5. Six Alankaras set to all prescribe Talas.

SYLLABUS FOR SUMMATIVE ASSESSMENT
FIRST TERM (APRIL 2016 - SEPTEMBER 2016)
HINDUSTANI MUSIC (MELODIC INSTRUMENTS) (CODE 035)

Theory (15 Marks)
1. Describe the following: Sangeet Dhwani, Nada, Shruti, Swara, Saptak, Thaat, Raga, Aaroha, Avaroha, Pakad, Laya, Tala, Matra, Sam, Khali, Vibhag and Avartan.
2. Notation system of Pt. V.D. Pulaskar or Pt. V.N. Bhatkhande.
3. Description of the following Ragas: Raga Alhaiya Bilawal, Raga Yaman.
4. Ability to do notation of compositions in prescribed Ragas.
5. Description and ability to do Tala-notation of the following Talas: Keharwa, Teentala, Dadra.

Practical (35 Marks)
1. Aaroha, Avaroha, Pakad and Drut Gat with few Todas in Raga Alhaiya Bilawal and Raga Yaman.
2. Six chalans in each prescribed Raga.
3. Recitation of the Thekas of Keharwa, Dadra Teentala with dugun, keeping Tala with hand beats.
4. Six Tala-baddha Alankaras set to all prescribed Ragas and Talas.

SYLLABUS FOR SUMMATIVE ASSESSMENT
SECOND TERM (OCTOBER 2016 - MARCH 2017)
HINDUSTANI MUSIC (MELODIC INSTRUMENTS) (CODE 035)

Theory (15 Marks)
1. Definition of the following: Vadi, Samvadi, Anuvadi, Vivadi, Jati, Gat, Sthai, Antara, Swarmalika, Lakshan Geet and Khayal. Tala, Matra, Vibhag, Sam, Tali, Khali, Avartan.
2. An outline history of Hindustani Music of modern period with special reference to the works of Pt. Vishnu Narayan Bhatkhande and Pt. Vishnu Digambar Paluskar.
3. Description and Notation of the following Ragas: Bhairav and Kafi.
4. Description and ability to do Tala-notation of the following Talas: Jhaptala and Ektala.

Practical (35 Marks)
1. Aaroha, Avroha, Pakad, and Drut Gat with few Todas in Raga Yaman and Bhairav.
2. Identification of prescribed Ragas from the passages of swaras rendered by the examiner.
3. a) Two dhuns.
b) Two folk dhuns.
4. Recitation of the Thekas of Jhaptala and Ektala with dugun, keeping Tala with hand beats.
5. Eight Tala-baddha Alankaras set to all prescribed Ragas and Talas.

SYLLABUS FOR SUMMATIVE ASSESSMENT
FIRST TERM (APRIL 2016 - SEPTEMBER 2016)
HINDUSTANI MUSIC (PERCUSSION INSTRUMENTS) (CODE 036)

Theory (15 Marks)
1. Short notes on the following terms:Tala, laya, Matra, Sam, Tali, Khali and Theka.
2. Basic knowledge of your Instruments (Tabla or Pakhawaj), its structure and its structure and its various parts.
3. Notation system of Pt. V.D. Pulaskar Or Pt. V.N. Bhatkhande.
4. Description and ability to do Tal Notation with Thalh and Dugun Laya in Teental, Ke-harwa and Dad ra.
5. Notation of two Kaydas in Teentala with four Paltas, Tihai and two tukras in any Ta-laNotaion System.

Practical (35 Marks)
1. Knowledge of basic techniques and bols of Tabla or Pakhawaj and practice of combinations of syllables.
2. Ability to play four kayadas with four Paltas and Tihai in Teental
3. Ability to play two simple and one chakradar tukra in Teental.
4. Ability to recite Theka with Thoh and Dugun of Teentala, Keharwa and Dadra with hand beats.
5. Ability to recite Theka with Thah and Dugun of Teentala, Keharwa and Dadra with hand beats.
6. Solo performance at least five minutes in Teentala.

SYLLABUS FOR SUMMATIVE ASSESSMENT
SECOND TERM (OCTOBER 2016 - MARCH 2017)
HINDUSTANI MUSIC (PERCUSSION INSTRUMENTS) (CODE 036)

Theory (15 Marks)

1. Definition of the following: Rela, Chakradar, Paran, Mukhra
2. Elementary knowledge of the origin of Tabla or Pakhawaj
3. Ability to write Rela, Chakradar, Paran and Mukhra in Tala Notation System
4. Description and ability to do Tala Notation of Jhaplala, Ektala and Teentala.
5. Elemantary Knowledge of Salient features of various gharanas of Tabla or Pakhawaj
6. An outline History of Hindustani Music of modern period with special reference to the works of Pt. V.D. Bhatkhande and Pt. V.D. Pulaskar.

Practical (35 Marks)

1. Ability to recite thekas of Jhaptala and Ektala with Thah, Dugan Chaugan in hand beats.
2. Ability to paly one Kayda in Jhaptala with four Paltas and one Tihai.
3. Ability to play two simple Tukras and one Damdar tihai in Jhaptal.
4. Ability to play two advance Kayadas one Rela, two Chakrdar Tukras, one Bedam Tihai in Teentala.
5. Solo perofrmance at least 5-10 minutes and knowledge of accompaniment.

SYLLABUS FOR SUMMATIVE ASSESSMENT
FIRST TERM (APRIL 2016 - SEPTEMBER 2016)
CARNATIC MUSIC (VOCAL) (CODE 031)

(A) Theory (15 Marks)

1. Brief history of Carnatic Music with special reference to Saint Purandara Dasa, Tyagaraja, Muthuswamy and Shyama Shastri.
2. Definition of the following terms - Sangeetam, Arohana, Avarohana, Dhatu, Matu, Sruti, Sthayi, Alankara, Uttaranga, Poorvanga, Svara, Swara-Prakriti and Vikriti Varas.
3. Brief raga lakshana of
(a) Mohanam
(b) Malahar
(c) Bilahari
(d) Khamas
(e) Sankarabharanam
(f) Mayamalavagaula
4. Brief knowledge about the theory of
a) Geetam
b) Svarajati,
a) Svaravali-Sarali Varisai, Janta Varisai, Dhatu Varisai, Hechchu & Taggu Slhayi, Varisai, Alankaras in two speeds, Aditala Varnam
5. Description about Talas - Adi, Roopaka, Introduction to Suladi Sapta Talas.

(B) Practical (25 marks)

1. Singing of National Anthem and any song pertaining to community singing, a folk song.
2. Singing alankara in two degrees of Speed.
3. Singing two Pillari Gita, two Sadharana Geeta or Sanchari Geeta and Bilahari and Khamas Svarajatis
4. Rendition of Arohana and Avarohana of Mayamalavagoula, Malahari and Mohanam, Sankarabharana, Bilahari and Khamas.

(C) Project Work - Two Reports (10 Marks)
Project Work-Guidelines - Term I
Watch classical Carnatic Music programmes over different T.V. channels or live concerts and report the following:
1. Date of Telecast:-
2. Name of the T.V. Channel:-
3. Details of the artistes (Both main and accompanying artistes)
4. Details of items presented:-
5. Whether regular concert or thematic concert:-
6. Photographs of the concert can be given (if possible)
Minimum two reports and maximum six (best two will be valued) have to be submitted by the students during the practical examination.

SYLLABUS FOR SUMMATIVE ASSESSMENT
SECOND TERM (OCTOBER 2016 - MARCH 2017)
CARNATIC MUSIC (VOCAL) (CODE 031)

(A) Theory (15 Marks)
1. Brief history of Carnatic Music with special reference to Tyagaraja Swamy
2. Definition of the following: Nada, Svara, Raga, Tala, Laya, Graha (Sama, Atita, Anagata), Vadi,Samvadi
3. Brief Raga Lakshana of:

• Sankarabhranam,
• Kalyani,
• Khamas

4. Notation of the following Talas:

• Adi,
• Rupaka
• Chapu

(B) Practical (25 marks)
1. Singing of Sapta Tala Alankaras in two degree of speed.
2. Singing Geetam, Svarajati and simple Devarnamas.
3. Rendering the Arohana and Avarohana with correct Svarasthana and Gamaka of Sankarabharanam,Kalyani and Khamas.
4. National Anthem, Folk Song, Devotional, Patriotic.

C) Project Work-Two Reports (10 Marks)

Project Work-Guidelines - Term II
Watch Classical Carnatic Music programmes over different T.V. channels or on live concerts and reportthe following:
1. Date of Telecast:-
2. Name of the T.V. Channel:-
3. Details of the artistes (Both main and accompanying artistes):-
4. Details of items presented:-
5. Whether regular concert or thematic concert:-
6. Photographs of the concert can be given (if possible):-
Minimum two reports and Maximum six (best two will be valued) have to be submitted by the studentsduring the practical examination.

MELODIC INSTRUMENTS
SYLLABUS FOR SUMMATIVE ASSESSMENT
FIRST TERM (APRIL 2016 - SEPTEMBER 2016)
(V) CARNATIC MUSIC (MELODIC INSTRUMENTS) (CODE: 032)

TOPICS
(A) Theory (15 marks)
1. Definition of the following terms Sangeetam, Nada, Arohana, Avarohana, Dhatu, Matu, Sruti,Sthayi, Alankara, Uttaranga, Poorvanga, Vilamba, Madhya, Druta laya.
2. Knowledge about the following ragas:
i) Sankarabharanam
ii) Hamsadhwani
iii) Mohanam
3. Ability to describe the following talas : Adi; Roopkam
4. Knowledge of the musical forms : Geetam, Svarajati, Swaravalis, Sarali, Jantai, Dattu, Heehusthayi, Taggusthayi and Alankaras
5. A short biography of Sh. Purandara Dasa, Sh. Thyagaraja, Muthuswamy Dikshitar, Shyama Shastri.

(B ) Practical (25 Marks)
1. Knowledge about basic techniques of any one of the following instruments:
a) Veena
b) Flute
c) Violin
d) Mandolin
2. An introduction of Alankaras : Eka, Roopaka and Triputa.
3. Lakshana of the musical forms Pillari Geeta and Sadharana Geeta.
4. An outline knowledge of Raga Lakshanas of : Sankarabharanam, Hamsadhwani.

(C) Project Work (10 Marks)
Project Work-Guidelines - Term I
Watch Classical Carnatic Music programmes over different T.V. channels or live concerts and reportthe following:
1. Date of Telecast:-
2. Name of the T.V. Channel:-
3. Details of the artistes (Both main and accompanying artistes):-
4. Details of items presented:-
5. Whether regular concert or thematic concert:-
6. Photographs of the concert can be given (if possible) :-

Minimum four reports and maximum ten (best four will be valued) have to be submitted by thestudents during the practical examination.

SYLLABUS FOR SUMMATIVE ASSESSMENT
SECOND TERM (OCTOBER 2015 - MARCH 2016)
CARNATIC MUSIC (MELODIC INSTRUMENTS) (CODE 032)

(A) Theory (15 marks)
1. Brief history of Carnatic Music with special reference to Purandara Dasa and Tyagaraja.
2. Definition of the following: Svara (Suddha, Vikrita), Raga, Tala, Laya (Vilamba, Madhya, Druta),Graha (Sama, Atita, Anagata) Anya Swara
3. Brief Raga Lakshana of the following: Mayamalavagoula, Kalyani.
4. Notation of following Talas: Adi, Rupaka and Chapu.

(B) Practical (25 marks)
1. Rendering of Sapta Tala Alankaras.
2. Arohana and Avarohana and brief outline of Ragas: Mayamalavagoula, Kalyani,Hamsadhvani,Shankarabharana.
3. Rendering of the following musical forms:
a) Two Geatams
b) one Svarajati
c) one Adi Tala Varnam in two-degree speed

4.

• Rendering of National Anthem
• Folk Song
• Devotional song

(C) Project Work (10 Marks)
Project Work-Guidelines - Term II
Watch Classical Carnatic Music programmes over different T.V. channels or live concerts and reportthe following:
1. Date of Telecast:-
2. Name of the T.V. Channel:-
3. Details of the artistes (Both main and accompanying artistes):-
4. Details of items presented:-
5. Whether regular concert or thematic concert:-
6. Photographs of the concert can be given (if possible):-
Minimum four reports and maximum ten (best four will be valued) have to be submitted by thestudents during the practical examination.

SYLLABUS FOR SUMMATIVE ASSESSMENT
FIRST TERM (APRIL 2016 - SEPTEMBER 2016)
CARNATIC MUSIC (PERCUSSION INSTRUMENTS) (CODE 033)

TOPICS
(A) Theory (15 marks)
1. Definition of the following terms: Tala, Laya, Avartana, Kala & Kaala and Graha, Nada, Sangeetam,Graha (Sama, Atita, Anagata)
2. Basic knowledge of opted instrument.
3. Description and writing of Tala notation of Adi and Rupaka talas.

(B) Practical (25 marks)
1. Knowledge of basic techniques of Sollukattus of Mridangam (OR) Ghatam.
2. Ability to play the talas of Adi and Rupaka.
3. Ability to recite Sollukattus for different talas.

(C) Project Work (10 Marks)
Project Work-Guidelines - Term I
Watch classical Carnatic Music programmes over different T.V. channels or live concerts and reportthe following:
1. Date of Telecast
2. Name of the T.V. Channel
3. Details of the artistes (Both main and accompanying artistes)
4. Details of items presented
5. Whether regular concert or thematic concert
6. Photographs of the concert can be given if possible
Minimum four reports and maximum ten (best four will be valued) have to be submitted by thestudents during the practical examination.

SYLLABUS FOR SUMMATIVE ASSESSMENT
SECOND TERM (OCTOBER 2016 - MARCH 2017)
CARNATIC MUSIC (PERCUSSION INSTRUMENTS) (CODE 033)

(A) Theory (15 marks)
1. Brief history of Carnatic Music with special reference to Purandara Dasa and Tyagaraja .
2. Definition of the following terms: Nada, Svara, Sthayi, Raga, Tala, Laya, Graha, Alankara, Arohana,Avarohana, Uttaranga, Poorvanga.
3. Notation of the following Talas: Adi, Rupaka and Chapu Talas
4. Brief Lakshana of Geetam, Svarajati, Varnam

(B) Practical (25 marks)
1. Recitation of Sapta Tala Alankaras.
2. Recitation of sollukattus in Adi, Rupaka, Chapu.
3. Playing on instrument simple sollus in Adi, Rupaka, Chapu.
4. Simple playing technique of Ghatam, Kanjira.

(C) Project Work (10 marks)
Project Work - Guidelines - Term II
Watch classical Carnatic Music programmes over different T.V. channels or live concerts and reportthe following:
1. Date of Telecast:-
2. Name of the T.V. Channel:-
3. Details of the artistes (Both main and accompanying artistes):-
4. Details of items presented:-
5. Whether regular concert or thematic concert:-
6. Photographs of the concert can be given (if possible):-
Minimum four reports and maximum ten (best four will be valued) have to be submitted by thestudents during the practical examination.