{"id":29093,"date":"2022-04-29T15:29:51","date_gmt":"2022-04-29T09:59:51","guid":{"rendered":"https:\/\/mycbseguide.com\/blog\/?p=29093"},"modified":"2023-11-09T17:05:07","modified_gmt":"2023-11-09T11:35:07","slug":"cbse-class-10-carnatic-music-vocal-syllabus-2022-23","status":"publish","type":"post","link":"https:\/\/mycbseguide.com\/blog\/cbse-class-10-carnatic-music-vocal-syllabus-2022-23\/","title":{"rendered":"CBSE Class 10 Carnatic Music (Vocal) Syllabus 2022-23"},"content":{"rendered":"

CBSE Class 10 Carnatic Music (Vocal) Syllabus 2022-23 includes Knowledge of Ragas Prescribed \u2013 Suddha Dhanyasi, Sriranjani, Suddha Saveri, Bhairavi Keeravani, Kambhoji, Ananda Bhairavi etc for the session 2022 – 2023. Here is the detailed syllabus. To download class 10 Carnatic Music (Vocal) CBSE latest sample question papers for the 2023 exams, please install the myCBSEguide App which is the best mobile app for CBSE students. The myCBSEguide app not only provides you the CBSE class 10 Carnatic Music (Vocal) model question papers but it also provides class 10 Carnatic Music (Vocal) chapter-wise test papers, class 10 Carnatic Music (Vocal) best revision notes and other study material for class 10 Carnatic Music (Vocal) students.<\/p>\n

Class 10 Carnatic Music (Vocal) Mobile App<\/a>\n

CBSE Class – 10
\nCarnatic Music (Vocal)\u00a0(Code No. 031)
\nSyllabus (2022-23)<\/strong><\/p>\n

\n

Theory
\nTime: 2 hrs.\u00a0<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
Sr. No<\/strong>.<\/td>\nTopics<\/strong><\/td>\nPeriods<\/strong><\/td>\n<\/tr>\n
I.<\/td>\nBrief knowledge of Raga classification.<\/td>\n6<\/td>\n<\/tr>\n
II.<\/td>\nBrief knowledge of scheme of 72 Melakarta.<\/td>\n6<\/td>\n<\/tr>\n
III.<\/td>\nKnowledge of Ragas Prescribed \u2013 Suddha Dhanyasi, Sriranjani, Suddha Saveri, Bhairavi Keeravani, Kambhoji, Ananda Bhairavi.<\/td>\n8<\/td>\n<\/tr>\n
IV.<\/td>\nDetailed knowledge of Kriti with explanation of decorative angas, Varnams \u2013 Tana Varnam & Pada Varnam.<\/td>\n6<\/td>\n<\/tr>\n
V.<\/td>\nRudiments of notation & writings of notations of Varnamas and Geetams. Deleted the number Varnams and Geetam in to one.<\/strong><\/td>\n8<\/td>\n<\/tr>\n
VI.<\/td>\nLife and contribution of the following 20th Century Composers:
\na. otisvaraIyer
\nb. PapanasamSivan
\nc. G.N.Balasubramaniam<\/td>\n		6<\/td>\n<\/tr>\n
<\/td>\nTotal Periods<\/strong><\/td>\n40<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Theory
\nTime: 2 hrs
\nMarks: 30<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Sr. No.<\/td>\nSections<\/strong><\/td>\nMarks<\/td>\n<\/tr>\n
1<\/td>\nSection I<\/strong><\/td>\n<\/td>\n<\/tr>\n
<\/td>\n6 MCQ based on all topics<\/td>\n06 Marks<\/td>\n<\/tr>\n
2<\/td>\nSection II<\/strong><\/td>\n<\/td>\n<\/tr>\n
<\/td>\nKnowledge of writing notations of varnams & Gitams (compulsory)<\/td>\n06 Marks<\/td>\n<\/tr>\n
<\/td>\nBrief knowledge of Ragas prescribed (compulsory)<\/td>\n06 Marks<\/td>\n<\/tr>\n
3<\/td>\nSection III<\/strong><\/td>\n06 Marks<\/td>\n<\/tr>\n
<\/td>\n(Essay) 72 Melakarta Scheme<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n(Essay) Classification of Ragas<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n(Essay) based on the musical forms prescribed<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nSection IV<\/strong><\/td>\n06 Marks<\/td>\n<\/tr>\n
<\/td>\nShort notes based on whole syllabus. Any three out of the given choice<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nLife and contribution of anyone composer mentioned in topic-VI<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Note:\u00a0<\/strong>Question paper should contain at least seven question, out of which candidates are expected to answer five in all. In which questions based on Notation & Raga- lakshanas are compulsory. Question no 1 & 2 are compulsory All questions carry equal marks<\/p>\n

CARNATIC MUSIC (VOCAL)
\nPractical Syllabus for Class X Examination<\/strong><\/p>\n

Practical<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
Sr. No.<\/strong><\/td>\nTopics<\/strong><\/td>\nMarks<\/strong><\/td>\n<\/tr>\n
i.<\/td>\nSinging of Alankaras and Svaravalis in a Raga other than Mayamalavagoula.<\/td>\n12<\/td>\n<\/tr>\n
ii.<\/td>\nRendering of taught Varnams (at least four) in two degrees of speed.<\/td>\n5<\/td>\n<\/tr>\n
iii.<\/td>\nFive Kritis in total using Adi tala, Rupaka and Chapu Tala.<\/td>\n15<\/td>\n<\/tr>\n
iv<\/td>\nAny one out of Devarnama, Bhajan, Tiruppugazh, Patriotic song and one folk song.<\/td>\n08<\/td>\n<\/tr>\n
v.<\/td>\nSvarajnanam test based on the prescribed ragas and taught compositions.<\/td>\n5<\/td>\n<\/tr>\n
vi.<\/td>\nSinging Svarakalpana in first speed for the compositions taught in Suddha Saveri, Keeravani and Sri Ranjan.\u00a0It has been reduced to Singing Svara kalpana reduced to only in one Raga<\/strong><\/td>\n5<\/td>\n<\/tr>\n
<\/td>\nTotal Marks<\/strong><\/td>\n50<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Internal Assessment: 20 marks
\n70 marks<\/strong><\/p>\n